Powaqqatsi

  • September 30, 2018 / 16:00
  • November 4, 2018 / 16:00

Director: Godfrey Reggio
USA, 1988, 99', renkli
no dialogue
 
Five years after Godfrey Reggio stunned audiences with Koyaanisqatsi, he again joined forces with composer Philip Glass and other collaborators for a second chapter. Here, Reggio turns his sights on third-world nations in the Southern Hemisphere. Forgoing the sped-up aesthetic of the first film, Powaqqatsi employs a meditative slow motion in order to reveal the beauty of the traditional ways of life in those parts of the planet, and to show how cultures there are being eroded as their environments are taken over by industry. This is the most intensely spiritual segment of Reggio’s philosophical and visually remarkable Qatsi Trilogy.
 
Free admissions. Drop in, no reservations.

Koyaanisqatsi

Koyaanisqatsi

Powaqqatsi

Powaqqatsi

Naqoyqatsi

Naqoyqatsi

Why Man Creates

Why Man Creates

Enter the Void

Enter the Void

Madeline's Madeline

Madeline's Madeline

The Show of Shows

The Show of Shows

The Capsule

The Capsule

Trailer

Powaqqatsi

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.