Enter the Void

  • September 28, 2018 / 21:00
  • October 13, 2018 / 18:00
  • October 27, 2018 / 12:30
  • November 1, 2018 / 19:00

Director: Gaspar Noé
Cast: Nathaniel Brown, Paz de la Huerta, Cyril Roy, Olly Alexander
France, Germany, Italy, 2009, 161', color
English, Japanese with Turkish subtitles
 
Gaspar Noé’s Enter the Void is shot entirely from the point of view of its central character as he lives, dies, and is reborn in the neon haze of Tokyo’s seedy underbelly. Oscar and his sister Linda are recent arrivals in Tokyo. Oscar's a small time drug dealer, and Linda works as a nightclub stripper. One night, Oscar is caught up in a police bust and shot. As he lies dying, his spirit, faithful to the promise he made his sister ­ that he would never abandon her - refuses to abandon the world of the living. It wanders through the city, his visions growing evermore distorted, evermore nightmarish. Past, present and future merge in a hallucinatory maelstrom.
 
Free admissions. Drop in, no reservations.

 

Koyaanisqatsi

Koyaanisqatsi

Powaqqatsi

Powaqqatsi

Naqoyqatsi

Naqoyqatsi

Why Man Creates

Why Man Creates

Enter the Void

Enter the Void

Madeline's Madeline

Madeline's Madeline

The Show of Shows

The Show of Shows

The Capsule

The Capsule

Trailer

Enter the Void

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.