Madeline's Madeline

  • October 17, 2018 / 19:00
  • September 28, 2018 / 19:00

Yönetmen: Josephine Decker
Cast: Helena Howard, Molly Parker, Miranda July, Sunita Mani
USA, 2018, 93', color
English with Turkish subtitles
 
Josephine Decker’s third feature film sounds out both the healing and potentially destructive powers of performance, what happens when you play around with roles and identities. Like Madeline herself, Madeline's Madeline remains ambiguous. Do we really need to define what’s a mental illness and what is simply the rebelliousness of a teenager? How do we draw the line between love and overprotectiveness? In a legitimate artistic process in which everyone is giving and taking, where lies the threshold to exploitation? Does creativity even exist without destruction?
 
Free admissions. Drop in, no reservations.

Koyaanisqatsi

Koyaanisqatsi

Powaqqatsi

Powaqqatsi

Naqoyqatsi

Naqoyqatsi

Why Man Creates

Why Man Creates

Enter the Void

Enter the Void

Madeline's Madeline

Madeline's Madeline

The Show of Shows

The Show of Shows

The Capsule

The Capsule

Trailer

Madeline's Madeline

Turquerie <br><br>

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

When Metaphysical Art is Mentioned, His Name Comes to Mind <br>  Who Is Giorgio de Chirico?

When Metaphysical Art is Mentioned, His Name Comes to Mind
Who Is Giorgio de Chirico?

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.