Zeynep with her mother and daughter, is trying to survive in a rundown apartment located in the streets of Tarlabaşı, a neighbourhood with abandoned buildings waiting to be victimized by urban gentrification. Taking up the space of a tiny particle in the universe, Zeynep is a woman, a worker, and a mother. The camera never ceases to follow her, thereby we watch Zeynep as she strives to find a job after getting fired, as she tries to keep her family together, and as she struggles in dark alleys and workplaces. The film taunts us with the claustrophobic and often ignored aspects of the city we live in, and intensifies with Jale Arıkan’s powerful performance.
Trailer
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
