Innocent Sorcerers

  • February 15, 2014 / 18:00
  • February 19, 2014 / 19:00

Director: Andrzej Wajda
Cast: Tadeusz Lomnicki, Krystyna Stypulkowska, Wanda Koczeska
Poland, 87’, 1960, black and white

Polish with Turkish subtitles

Working with a screenplay by Jerzy Andrzejewski (Ashes and Diamonds) and a very young Jerzy Skolimowski (who appears as a boxer in the film), Wajda chronicles a soft bohemia made up of motor scooters, easy flirtations and jazz enjoyed by a group of Warsaw 20-somethings. Bazyli (Tadeusz Lomnicki), a recent graduate from medical school, is more dedicated to playing drums than to pursuing his profession. Fellow hipster Edmund (Zbigniew Cybulski) asks Bazyli’s help in attracting the attention of a beautiful young woman, but it’s Bazyli who winds up walking her to the train station, after the last train has already departed…Innocent Sorcerers brilliantly captures the post-Stalin thaw that had begun to sweep through the Eastern bloc countries by the late ’50s while meditating on the pleasures and terror that freedom can bring. 

Canal

Canal

Ashes and Diamonds

Ashes and Diamonds

Night Train

Night Train

Mother Joan of the Angels

Mother Joan of the Angels

Innocent Sorcerers

Innocent Sorcerers

Knife in the Water

Knife in the Water

The Saragossa Manuscript

The Saragossa Manuscript

Trailer

Innocent Sorcerers

Medicinal Herbs in Byzantium

Medicinal Herbs in Byzantium

Knowledge of plants and the practice of healing are closely entwined. The toxic or hallucinogenic nature of some roots, and the dangers associated with picking them, conferred a mythical or magical character and power. 

Frida Kahlo

Frida Kahlo

Frida Kahlo was born on July 6, 1907 in Coyoacán, Mexico. Exactly 47 years from now, before she died in the same city and her beloved Mexico, many things would happen; she’d meet Diego Rivera, become a world-renowned artist, and allow many of her fans to dress like her on Halloween. 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.