Director: Andrzej Wajda
Cast: Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zastrzezynski,Adam Pawlikowski, Bogumił Kobiela
Poland 103’, 1958, black and white
Polish with Turkish subtitles
This filmis the extraordinary final installment in Wajda’s war trilogy and an unquestionable masterpiece, a true landmark of postwar European cinema. With a screenplay by Jerzy Andrzejewski, based on his novel, the film is set on the last day of the war and the first day of peace, when a young Home Army soldier (Zbigniew Cybulski, in his most famous role) is assigned to assassinate a Communist official. More important than the carefully etched political nuances in this vision of a Poland poised between past and a future defined by its postwar regime are the moral dilemmas faced by individuals in a time of transition, always treated with great humanity by Wajda. Cybulski’s way-cool performance – complete with dark shades, match cocked between his teeth and easy banter with the ladies – earned him the title, the “James Dean of Poland.”
Trailer
The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
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