Director: Andrzej Wajda
Cast: Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zastrzezynski,Adam Pawlikowski, Bogumił Kobiela
Poland 103’, 1958, black and white
Polish with Turkish subtitles
This filmis the extraordinary final installment in Wajda’s war trilogy and an unquestionable masterpiece, a true landmark of postwar European cinema. With a screenplay by Jerzy Andrzejewski, based on his novel, the film is set on the last day of the war and the first day of peace, when a young Home Army soldier (Zbigniew Cybulski, in his most famous role) is assigned to assassinate a Communist official. More important than the carefully etched political nuances in this vision of a Poland poised between past and a future defined by its postwar regime are the moral dilemmas faced by individuals in a time of transition, always treated with great humanity by Wajda. Cybulski’s way-cool performance – complete with dark shades, match cocked between his teeth and easy banter with the ladies – earned him the title, the “James Dean of Poland.”
Trailer
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
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