Director: Andrzej Wajda
Cast: Teresa Izewska, Tadeusz Janczar, Wienczyslaw Glinski,Tadeusz Gwiazdowski, Stanislaw Mikulski
Poland, 96’, 1957, black and white
Polish with Turkish subtitles
An unforgettably vivid depiction of the last days of the 1944 Warsaw uprising against the German Nazis, Kanal was co-awarded (with The Seventh Seal) a special jury prize at the 1957 Cannes Film Festival, establishing Wajda as a major new international film talent. His second film – and the second part of his war trilogy – features a rich mosaic of meticulously combined narratives, following a band of surviving Polish Home Army soldiers that takes to the sewers to avoid capture. Unable to allude to the fact that the Soviet Army was waiting just across the river while the Germans wiped out the non-Communist resistance, Wajda portrayed the insurgents with unaccustomed sympathy.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts.
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