Director: Redmond Entwistle
USA, UK; black & White, 18’, 2012
English with Turkish subtitles
Redmond Entwistle’s new film Walk-Through, a combination of documentary and fictionalised reconstruction, is a multi-faceted analysis of contemporary art education and the very particular impact of Michael Asher’s ‘post-studio class’ at the California Institute of the Arts, Los Angeles in the 1970s. The ‘Post-Studio’ class exemplified CalArt’s mission to “haul the teacher from the podium” and activate the student in the learning process. It took the form of extended group discussions - sometimes lasting over 12 hours - in which students critiqued each other's work. Subsequently the group critique has become the primary model of teaching in arts schools today. Walk-Through is devised as a tour of the campus, which guides us through CalArts’ history and the life of the school, from archive images of its design and construction in the late 1960’s to the present day. The film analysis the school's mission, its place in art history, and its flexible architecture, which was designed to facilitate its democratic philosophy.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
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