The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

  • October 3, 2013 / 17:00
  • October 5, 2013 / 16:00

Director: Luke Fowler
UK; color, 61’, 2012
English with Turkish subtitles


Focuses on the work of the Marxist historian Edward Palmer Thompson, who, from 1946 (at the age of 24), was employed by the Workers’ Education Association (WEA) to teach literature and social history to adults in the industrial towns of the West Riding. These classes were open to people who historically had been unable to access a university education.Fowler’s film explores the issues that were at stake for progressive educationalists.

Walk Through

Walk Through

Monuments

Monuments

The Colors that Combine to Make White Are Important

The Colors that Combine to Make White Are Important

Social Visions

Social Visions

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

Los Ultimos Cristeros

Los Ultimos Cristeros

Two Russians in the Free World

Two Russians in the Free World

The Story of Elfranko Wessels

The Story of Elfranko Wessels

Cloud Cuckoo Land

Cloud Cuckoo Land

A Bit of Dirt

A Bit of Dirt

Night Replay

Night Replay

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.