Director: Redmond Entwistle
UK; black & white, 15’, 2000
English with Turkish subtitles
This film suggests the myriad histories and futures that constitute Los Angeles; a city whose public image has been used as cover for the abuse of its population but also a city where one senses the potential for radical social change. Without money or political power, the majority of people who live here are invisible. Social Visions is about the impossibility of adequately representing a city when whole sections of the population are excluded from the channels of power.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”.
Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success.
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