Director: Amanda Trager, Erik Moskowitz
USA; color, 17’, 2008
English with Turkish subtitles
Moskowitz + Trager's seventeen minute stylized opera follows a family's move to a commune. Non-actors, including the artists themselves, performance artist Joan Jonas, and other friends, each spew forth a chorus of voices (Moskowitz and Trager's singing voices) at an otherworldly tempo in scenes symbolizing contemporary life. The work's title, taken from the Aristophanes playThe Birds, refers to the disillusionment that the family ultimately experiences: In 4th century BC the notion of utopia was also cast into doubt.
Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet.
Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
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