Director: Barry Doupé
Canada, Japan; color, 120’, 2012
Japanese with Turkish subtitles
The film explores the power structure within a failing Japanese glass factory. Two parallel storylines — one involving the investigation of a suspect employee, the other a stolen painting — converge in an exposition on gender and desire. Doupé’s computer-animated film has its characters rapidly evolve through three distinct acts, while subverting the dominant archetypes in the Japanese salary man genre. The hierarchical relationship between boss and employees is undone to examine language, art, and expression. Doupé’s characters are looking for something only to be found through a crisis of feeling, a shaking up of the human world.
Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.
Our Doublethink Double vision exhibition’s title alludes to George Orwell’s seminal work 1984 and presents a selection that includes Tracey Emin, Marcel Dzama, Anselm Kiefer, Bruce Nauman, Raymond Pettibon, and Thomas Ruff, as well as Turkish artists, tracing the steps of pluralistic thought through works of art.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)