Director: Sofia Coppola
Cast: James Woods,
Kathleen Turner, Kirsten Dunst
USA, 97’, 1999,
color
English with Turkish subtitles
The film explores the emotional underpinnings of a family starting to come apart at the seams in 1970's Midwestern America. The Lisbons seem like an ordinary enough family; Father teaches math at a high school in Michigan, Mother has a strong religious faith, and they have five teenage daughters, ranging from 13-year-old Cecilia (Hannah Hall) to 17-year-old Therese. However, the Lisbon family's sense of normalcy is shattered when Cecilia falls into a deep depression and attempts suicide. The family is shaken and Mother and Father seek the advice of psychiatrist Dr. Hornicker, who suggests the girls should be allowed to socialize more with boys. The debut feature from Sofia Coppola (whose father, Francis Ford Coppola, co-produced this film), was shown as part of the Directors Fortnight series as the 1999 Cannes Film Festival.
Trailer
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
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