The Master

  • September 15, 2013 / 14:00
  • September 22, 2013 / 18:00

Director: Paul Thomas Anderson
Cast: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams
USA, 144’, 2012, color
English with Turkish subtitles

Writer-director Paul Thomas Anderson’s latest movie The Master is set in post-World War II America and centers on the relationship between a psychologically damaged US Navy veteran and the guru of a quasi-religious movement. Haunted by his past, WW-II veteran and drifter Freddie Quell crosses paths with a mysterious movement called The Cause, led by Lancaster Dodd, aka The Master, and his wife Peggy. Their twisted relationship is the core of this film, which The New York Times called “a glorious and haunting symphony of color, emotion and sound with camera movements that elicit an involuntary gasp and feats of acting that defy comprehension.” Will Freddie be able to outrun his past? Will The Cause help or hurt him? Can this tortured, violent creature be civilized? Or is man, after all, just a dirty animal? Starring 2012 Academy-Award® Nominees for Best Actor, Joaquin Phoenix, Best Supporting Actor, Phillip Seymour Hoffman, and Best Supporting Actress, Amy Adams, Rolling Stone calls the film “A mind bending cinematic landmark.”

The Master

The Master

Blindness

Blindness

A Single Man

A Single Man

The Skin I Live In

The Skin I Live In

The Place Beyond the Pines

The Place Beyond the Pines

Melancholia

Melancholia

The Virgin Suicides

The Virgin Suicides

Trailer

The Master

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.