The Skin I Live In

  • September 14, 2013 / 16:00
  • September 21, 2013 / 19:00

Director: Pedro Almodovar
Cast: Antonio Banderas, Elena Anaya, Marisa Paredes
Spain, 120’, 2012, color
Spanish with Turkish subtitles

Dr. Robert Ledgard is a driven plastic surgeon haunted by personal tragedies. After many years of trial and error, he finally prefects a new skin – a shield which could have prevented the death of his wife in an accident years earlier. His latest “guinea pig” is a mysterious captive whose true identity masks a shocking mystery. The Skin I Live In is a masterful tale of secrets, obsession and revenge from Academy Award winning writer, director Pedro Almodovar.

The Master

The Master

Blindness

Blindness

A Single Man

A Single Man

The Skin I Live In

The Skin I Live In

The Place Beyond the Pines

The Place Beyond the Pines

Melancholia

Melancholia

The Virgin Suicides

The Virgin Suicides

Trailer

The Skin I Live In

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.