Director: Michelangelo Antonioni
Cast: Monica Vitti, Paolo Bonacelli, Franco Branciaroli
Italy, 129’, 1981, color
Italian with Turkish subtitles
Intrigued by the possibilities presented by the then-new format of video, Antonioni made this experimental work, based on the Jean Cocteau drama The Two-Headed Eagle and starring a regal Monica Vitti. “Respect the etiquette, the ceremonial,” notes a somber character in the story of a queen, trapped in self-exile in a crumbling castle, and the poet/assassin she falls in love with. At times Antonioni stays true to this injunction, lovingly dwelling on every impossibly decorative costume, set, and theatrical pronouncement as if paying homage to his compatriot Visconti. At other times, as if expressing the longings of Vitti’s queen, Antonioni willfully destabilizes the narrative ceremony, using his new technological tools to experiment with color shifts, foregrounded imagery, and other dizzying visual techniques. For Antonioni, video represented “a new world of cinema . . . using color as a narrative, poetic means . . . with absolute faithfulness, or, if so desired, with absolute falseness.”
In a bid to review the International System of Units (SI), the International Bureau of Weights and Measures gathered at the 26th General Conference on Weights and Measures on November 16, 2018. Sixty member states have voted for changing four out of seven basic units of measurement. The kilogram is among the modified. Before describing the key points, let us have a closer look into the kilogram and its history.
The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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