Director:  Michelangelo Antonioni
Cast: Mark Frechette, Daria Halprin, Paul Fix |
Italy,110’, 1970, color

English with Turkish subtitles

The opening half-verité footage of a student activist meeting sets the tone and themes of Antonioni's meandering portrait of 60s America, a painterly magazine spread of the anti-establishment that at times alternates between abstract urban montage and humane illustration of iconic Americana. Encased within his glossy, seductive cinematography are abrasive scenes of police brutality, overt racism, oblivious consumerism, capitalistic violence and the ubiquitous drone of the Vietnam death toll. Non-professional leads Mark Frechette and Daria Halprin became involved both on and off screen as respective symbols of Activism and Pacifism, illustrating the persistent tensions within the counter culture's own psyche. A notorious financial disaster for MGM that received brutally negative reviews and momentarily set Antonioni in the FBI's crosshairs, Zabriskie Point – like its uninhibited protagonists – plays with the existential depths despite its reflective surface, its horror and beauty climaxes in the film's stunning psychedelic ending – a cathartic summary of the USA with all of its conveniences and contradictions.

Story of a Love Affair

Story of a Love Affair

Red Desert

Red Desert

Zabriskie Point

Zabriskie Point

Identification of a Woman

Identification of a Woman

L’Avventura

L’Avventura

Blow-Up

Blow-Up

The Mystery of Oberwald

The Mystery of Oberwald

Shorts

Shorts

Midnight Horror Stories: <br> Witches’ Sun <br> Mehmet Berk Yaltırık

Midnight Horror Stories:
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Mehmet Berk Yaltırık

I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.