Director:  Michelangelo Antonioni
Cast: Mark Frechette, Daria Halprin, Paul Fix |
Italy,110’, 1970, color

English with Turkish subtitles

The opening half-verité footage of a student activist meeting sets the tone and themes of Antonioni's meandering portrait of 60s America, a painterly magazine spread of the anti-establishment that at times alternates between abstract urban montage and humane illustration of iconic Americana. Encased within his glossy, seductive cinematography are abrasive scenes of police brutality, overt racism, oblivious consumerism, capitalistic violence and the ubiquitous drone of the Vietnam death toll. Non-professional leads Mark Frechette and Daria Halprin became involved both on and off screen as respective symbols of Activism and Pacifism, illustrating the persistent tensions within the counter culture's own psyche. A notorious financial disaster for MGM that received brutally negative reviews and momentarily set Antonioni in the FBI's crosshairs, Zabriskie Point – like its uninhibited protagonists – plays with the existential depths despite its reflective surface, its horror and beauty climaxes in the film's stunning psychedelic ending – a cathartic summary of the USA with all of its conveniences and contradictions.

Story of a Love Affair

Story of a Love Affair

Red Desert

Red Desert

Zabriskie Point

Zabriskie Point

Identification of a Woman

Identification of a Woman

L’Avventura

L’Avventura

Blow-Up

Blow-Up

The Mystery of Oberwald

The Mystery of Oberwald

Shorts

Shorts

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.