People of the Po Valley

1943, Italy, 9’, black & white, Italian with Turkish subtitles
A quiet ode to the arduous lives of fisherman along the River Po, Antonioni’s first film is a poetic inquiry into the uncanny dialectic between environment and inhabitants. Although completed in 1943, the temporary loss of crucial footage during post-production delayed the film’s release until 1947.

Sanitation Department

1948, Italy, 8’, black & white, Italian with Turkish subtitles
Antonioni’s second film documents a day in the life of Rome’s sanitation workers, highlighting a marginal culture so taken for granted they are virtually invisible. Both somber and charming, his lyrical investigation into their gritty existences revels in quotidian moments of mystery and humor.

Lies of Love

1949, Italy, 10’, black & white, Italian with Turkish subtitles
Considered the inspiration for Fellini’s The White Sheik (1952), Delightfully exploring the vernacular fantastic of the fotoromanzi, the bawdy photographic comic-strip novels that were a staple of post-WW2 Italian popular culture, Antonioni tracks a day in the life of the stars of this new genre.

Superstition

1948, Italy, 9’, black & white, Italian with Turkish subtitles
A poetic ethnography of anarchic rites and beliefs, Superstition reveals the stubborn presence of a pre-modern folk imagination in the twentieth century Italian peasant class.

India Kumbh Mela

1983, Italy, India 9’, color

Like Rossellini, Antonioni had a long fascination with India which gave way to this 1977 short capturing the country’s most important Hindu festival, Kumbh Mela, during which millions of worshippers gather to pray where the Ganges, Jamuna and Saraswati rivers converge.

Roma 90

1989, Italy, 9’, color

The cinematic portrait of the Italian capital Rome, this short was part of a series of films that on the occasion of the 1990 Soccer World Cup in Italy were meant to present the different venues.

Sicillia

1997, Italy, 11’, color, Italian with Turkish subtitles
Antonioni's short film is a silent meditation on five Sicilian landscapes.

Lo sguardo di Michelangelo

2004, Italy, 15’, color, Italian with Turkish subtitles
Michelangelo Antonioni’s true final film and, for a master film-maker who has peerlessly studied the inability of people to communicate between one another, it is appropriate that his last characters are himself – who has been debilitated by a stroke and deprived of speech and most bodily movement for practically 20 years – and the “inanimate” statues found in St. Peter’s Basilica in Rome. The camera gazes pans or tracks incessantly over every detail of the statues and occasionally shows us the interaction between the two ‘entities.’

Antonioni By Antonioni

1978, Italy, 22’, color, Italian with Turkish subtitles
This a rare interview with Antonioni from 1978, made on the occasion of a TV retrospective of his films.

Story of a Love Affair

Story of a Love Affair

Red Desert

Red Desert

Zabriskie Point

Zabriskie Point

Identification of a Woman

Identification of a Woman

L’Avventura

L’Avventura

Blow-Up

Blow-Up

The Mystery of Oberwald

The Mystery of Oberwald

Shorts

Shorts

The Chronicle of Sarajevo

The Chronicle of Sarajevo

Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.