Story of a Love Affair

Director:  Michelangelo Antonioni
Cast: Lucia Bosé, Massimo Girotti, Ferdinando Sarmi
Italy,98’, 1950, black & white

Italian with Turkish subtitles

Set in Milan, a sparklingly lurid cityscape, Story of a Love Affair tells of a wealthy industrialist who hires a private eye to investigate the past of his young wife Paola. The investigation turns up a former lover, Guido, and the possibility of both lovers' implication in the death of Guido's girlfriend. Guido and Paola renew their affair, but with her new status, Paola can no longer live on love alone . . . Antonioni's first feature owes much to James M. Cain and film noir, but already, ten years before L'avventura, he shifts the focus away from the Postman toward his own preoccupations. The director's distanced camera and seeming dispassion are in evidence, turning a torrid love story into a tale of free-floating anxiety, inevitable corruption, and betrayal in postwar industrial society.

Story of a Love Affair

Story of a Love Affair

Red Desert

Red Desert

Zabriskie Point

Zabriskie Point

Identification of a Woman

Identification of a Woman

L’Avventura

L’Avventura

Blow-Up

Blow-Up

The Mystery of Oberwald

The Mystery of Oberwald

Shorts

Shorts

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards.