Director: Michelangelo Antonioni
Cast: Tomas Milian, Daniela Silverio, Christine Boisson
Italy, France, 128’, 1982, color
Italian, French, English with Turkish subtitles
“I don’t know the story yet, but the main character is a woman,” claims the disoriented film director in Antonioni’s last Italian-set inquiry into the imprecise nature of human relationships. The film is a body- and soul-baring voyage into one man’s artistic and erotic consciousness. After his wife leaves him, a film director finds himself drawn into affairs with two enigmatic women: at the same time, he searches for the right subject and actress for his next film. This spellbinding anti-romance was a late-career coup for the legendary Italian filmmaker, and is renowned for its sexual explicitness and an extended scene on a fog-enshrouded highway that stands with the director’s greatest set pieces.
Although traditionally used as a medium for functional or decorative objects, ceramic has become a medium that is increasingly used by contemporary. Here is the work of some important contemporary ceramic artists from around the world!
Our Doublethink Double vision exhibition’s title alludes to George Orwell’s seminal work 1984 and presents a selection that includes Tracey Emin, Marcel Dzama, Anselm Kiefer, Bruce Nauman, Raymond Pettibon, and Thomas Ruff, as well as Turkish artists, tracing the steps of pluralistic thought through works of art.
Works by a large number of students from the Academy of Fine Arts in Sarajevo deal with current and often painful themes from the socio-political, economic and cultural reality, raising awareness, appealing, warning, opening issues and offering new interpretations.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
