Director: Michelangelo Antonioni
Cast: Tomas Milian, Daniela Silverio, Christine Boisson
Italy, France, 128’, 1982, color
Italian, French, English with Turkish subtitles
“I don’t know the story yet, but the main character is a woman,” claims the disoriented film director in Antonioni’s last Italian-set inquiry into the imprecise nature of human relationships. The film is a body- and soul-baring voyage into one man’s artistic and erotic consciousness. After his wife leaves him, a film director finds himself drawn into affairs with two enigmatic women: at the same time, he searches for the right subject and actress for his next film. This spellbinding anti-romance was a late-career coup for the legendary Italian filmmaker, and is renowned for its sexual explicitness and an extended scene on a fog-enshrouded highway that stands with the director’s greatest set pieces.
Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
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