The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

  • November 11, 2017 / 16:00
  • November 28, 2017 / 15:00

Director: Lev Kuleshov
Cast: Porfiri Podobed, Boris Barnet, Aleksandra Khokhlova
Soviet Union, 1924, 60’, b&w
Silent
 

This satiric comedy, which ridicules the absurd preconceptions of Soviet Russia held by certain Americans, involves the visit of a certain Mr. West, president of the YMCA, to the USSR. To protect himself against the “horrors” of life in the USSR as depicted in the American press, Mr. West takes with him a bodyguard, the cowboy Jeddy. The two fall into the clutches of a gang of swindlers. When the con-men are arrested, Mr. West, accompanied by a representative of the Soviet government, is given a tour of the genuine Soviet Russia. Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema, and organizer of the now-famous Workshop where in 1923 the young Sergei Eisenstein studied film direction for the first time. Mr. West was intended as a “showcase of effects” for the newly formed stock company (the Kuleshov Collective, Boris Barnet and Vsevolod Pudovkin among them), who had formulated an external, circus-like, physical style of acting.

 

The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

The Tailor From Torzhok

The Tailor From Torzhok

Man with a Movie Camera

Man with a Movie Camera

Earth

Earth

Salt for Svanetia

Salt for Svanetia

Alone

Alone

Happiness

Happiness

Trailer

The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.