Salt for Svanetia

  • November 19, 2017 / 13:00
  • November 28, 2017 / 16:00

Director: Mikhail Kalatozov
Soviet Union, 1930, 60', b&w, Silent
 

Kalatozov's debut film places him alongside the great Soviet directors, in particular Dovzhenko for the poetic treatment of man in nature. But Kalatozov is harsh where Dovzhenko is lyrical, and Salt for Svanetia has more frequently been compared with Buñuel's Land without Bread of 1932. As in Buñuel, the subject matter itself is surreal: people, faced with medieval conditions in modern times, themselves remain ‘medieval.’ The film is a haunting portrait of the difficult life in a village in the Caucasus cut off by snows from the outside world for most of the year. Defensive architecture left over from the Crusades, and patriarchal rituals that favor men and death over women and birth, seem to be an extension of a barrenness (in particular, the lack of salt) that weakens the life drive. Kalatozov uses the poetry of repetition and juxtaposition, distance and extreme close-up, and mad rhythms.

The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

The Tailor From Torzhok

The Tailor From Torzhok

Man with a Movie Camera

Man with a Movie Camera

Earth

Earth

Salt for Svanetia

Salt for Svanetia

Alone

Alone

Happiness

Happiness

Trailer

Salt for Svanetia

Girl in a Blue Dress

Girl in a Blue Dress

This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs. 

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

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Postcard Nudes

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