The Amphibian Man

  • October 31, 2015 / 14:00
  • November 8, 2015 / 18:00

Director: G. Kazansky, V. Chebotaryov
Cast: Vladimir Korenev, Anastasiya Vertinskaya, Mikhail Kozakov
Soviet Union, 1961, 95’, color
Russian with Turkish subtitles

One of the most beloved Russian films ever (65 million admissions in 1962, which would roughly translate into $520,000,000 box office in today's America). The rather tall tale of a handsome, gilled mutant unfolds in an oddly conceived coastal locale among pearl divers, rogues and old salts. Perhaps the ultimate product of the late 50s-early '60s "Thaw," The Amphibian Man surreally brims with Latin song-and-dance numbers and Russian stars in brownface; it has to be seen to be believed. - by Robert Skotak

Aelita, Queen of Mars

Aelita, Queen of Mars

Planet of Storms

Planet of Storms

The Amphibian Man

The Amphibian Man

Solaris

Solaris

Stalker

Stalker

To the Stars by Hard Ways

To the Stars by Hard Ways

Zero City

Zero City

First on the Moon

First on the Moon

Trailer

The Amphibian Man

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.