Planet of Storms

  • November 11, 2015 / 17:00
  • November 22, 2015 / 16:00

Director: Pavel Klushantsev
Cast: Vladimir Yemelyanov, Georgi Zhzhyonov, Gennadi Vernov
Soviet Union, 1961, 83’, color
Russian with Turkish subtitles

Working from a dullish source - a novel by the Soviet sci-fi eminence Aleksandr Kazantsev - director Klushantsev overpowers the party-line dialogue with excellent effects. Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts (a cackling, swooping pterodactyl is most memorable). The filmmakers, however, forgot to include scantily clad cavewomen; this omission was quickly corrected by Voyage to the Planet of Prehistoric Woman (1968); the up-and-coming culprit was Peter Bogdanovich. – by Robert Skotak

Aelita, Queen of Mars

Aelita, Queen of Mars

Planet of Storms

Planet of Storms

The Amphibian Man

The Amphibian Man

Solaris

Solaris

Stalker

Stalker

To the Stars by Hard Ways

To the Stars by Hard Ways

Zero City

Zero City

First on the Moon

First on the Moon

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.