Planet of Storms

  • November 11, 2015 / 17:00
  • November 22, 2015 / 16:00

Director: Pavel Klushantsev
Cast: Vladimir Yemelyanov, Georgi Zhzhyonov, Gennadi Vernov
Soviet Union, 1961, 83’, color
Russian with Turkish subtitles

Working from a dullish source - a novel by the Soviet sci-fi eminence Aleksandr Kazantsev - director Klushantsev overpowers the party-line dialogue with excellent effects. Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts (a cackling, swooping pterodactyl is most memorable). The filmmakers, however, forgot to include scantily clad cavewomen; this omission was quickly corrected by Voyage to the Planet of Prehistoric Woman (1968); the up-and-coming culprit was Peter Bogdanovich. – by Robert Skotak

Aelita, Queen of Mars

Aelita, Queen of Mars

Planet of Storms

Planet of Storms

The Amphibian Man

The Amphibian Man

Solaris

Solaris

Stalker

Stalker

To the Stars by Hard Ways

To the Stars by Hard Ways

Zero City

Zero City

First on the Moon

First on the Moon

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Blurred Reminiscences  <br>Andra Ursuta

Blurred Reminiscences
Andra Ursuta

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks. 

Audience with the Mad King

Audience with the Mad King

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.