Stalker

  • November 28, 2015 / 18:00
  • December 12, 2015 / 19:00

Director: Andrei Tarkovsky
Cast: Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn
Soviet Union, 1979, 163’, color, black & white
Russian with Turkish subtitles

While Solaris is considered the pinnacle of Tarkovsky's engagement with the fantastical, Stalker has its many defendants. Arguably the most accessible of Tarkovsky's films, this philosophical fable employs the roughest outlines of a novel by Soviet sci-fi writers Arkady and Boris Strugatsky. A mysterious Zone is said to contain a room that grants wishes; the Stalker will take you there for a fee, past military checkpoints and more obscure dangers. A clear imprint of this terse, laconic film is still felt in such apocalyptic hits as 28 Days Later. - by Robert Skotak

Aelita, Queen of Mars

Aelita, Queen of Mars

Planet of Storms

Planet of Storms

The Amphibian Man

The Amphibian Man

Solaris

Solaris

Stalker

Stalker

To the Stars by Hard Ways

To the Stars by Hard Ways

Zero City

Zero City

First on the Moon

First on the Moon

Trailer

Stalker

Memory of Objects

Memory of Objects

In his book exploring the cultural history of souvenirs, Rolf Potts discusses how such objects assume meaning through personal stories: Objects turn into memories with the stories they hold.

At the Order of the Padishah

At the Order of the Padishah

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From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.