Director: Karen Shakhnazarov
Cast: Leonid Filatov, Oleg Basilashvili, Vladimir Menshov
Soviet Union, 1988, 103’, color
Russian with Turkish subtitles
One of the key films of the Perestroika era, Zero City tells the story of a Moscow engineer named Varakin who arrives in a small town with instructions to change the size of a locally manufactured air- conditioner part. He arrives at the company office and is welcomed by a naked secretary. Next, he finds himself sitting down to lunch. The dessert arrives, a cake that strongly resembles his own head, baked by a chef who soon shoots himself in the head. With its images of a burdensome past and an indeterminate future based on both folk tale and more modern forms of absurdism, Shakhnazarov's very funny and poignant film is a true historical touchstone. – by Kent Jones
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
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