Tarnation

  • March 25, 2015 / 19:00
  • March 28, 2015 / 18:00

Artist: Jonathan Caouette
USA, 88’, 2003
English with Turkish subtitles

"This self-portrait of an artist offers concrete support for the idea... that art can heal some of the wounds that life inflicts." —A.O. Scott, The New York Times

Still unlike anything before or since, Jonathan Caouette’s mesmerizing, twenty-years-in-the-making documentary-essay is an ultra-personal mélange of 8mm home movies, phone messages, reenactments, and head-spinning surreal freakouts documenting his tumultuous coming of age with a mentally ill mother. Frequently devastating, yet shot through with love for the troubled woman at its center, Tarnation remains “a remarkable film, immediate, urgent, angry, poetic, and stubbornly hopeful” (Roger Ebert).

Everyday Life

Everyday Life

The Film Of Questions

The Film Of Questions

Metamorphoses

Metamorphoses

The Affaire’s Prompter

The Affaire’s Prompter

Alan Vega, Just A Million Dreams

Alan Vega, Just A Million Dreams

Tarnation

Tarnation

Cecile Paris<br/>Selected Videos

Cecile Paris
Selected Videos

Honest Experience

Honest Experience

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Reminiscences of Motifs

Reminiscences of Motifs

Prominent motifs from Islamic art continue to shape contemporary productions with their symbolic conno- tations. The plant ornaments and geometric patterns seen in Kütahya tiles are used in ceramic objects such as vases and jugs as well as in

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.