Artist: Jonathan Caouette
USA, 88’, 2003
English with Turkish subtitles
"This self-portrait of an artist offers concrete support for the idea... that art can heal some of the wounds that life inflicts." —A.O. Scott, The New York Times
Still unlike anything before or since, Jonathan Caouette’s mesmerizing, twenty-years-in-the-making documentary-essay is an ultra-personal mélange of 8mm home movies, phone messages, reenactments, and head-spinning surreal freakouts documenting his tumultuous coming of age with a mentally ill mother. Frequently devastating, yet shot through with love for the troubled woman at its center, Tarnation remains “a remarkable film, immediate, urgent, angry, poetic, and stubbornly hopeful” (Roger Ebert).
The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.
Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.
Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
