Honest Experience

  • March 12, 2015 / 19:00
  • March 28, 2015 / 15:30

Artist: Gurwann Tran Van Gie
France, 60’, 2015
French with Turkish subtitles

Gurwann Tran Van Gie has had a most unusual journey, to say the least. Hypnotist by training, he is also a director and actor who regularly works for radio and television, where he likes to create funny and poetic characters. At times he combines his artistic creation with his practice of Ericksonian hypnosis, developed in the United States by Milton Erickson. Gurwann Tran Van Gie tackles the complex subject of people’s integrity, contemplating the integrity of four people interrogated under hypnosis.

The director will be present at the March 12 screening.

Everyday Life

Everyday Life

The Film Of Questions

The Film Of Questions

Metamorphoses

Metamorphoses

The Affaire’s Prompter

The Affaire’s Prompter

Alan Vega, Just A Million Dreams

Alan Vega, Just A Million Dreams

Tarnation

Tarnation

Cecile Paris<br/>Selected Videos

Cecile Paris
Selected Videos

Honest Experience

Honest Experience

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Mosques in the 18th and 19th Century Paintings

Mosques in the 18th and 19th Century Paintings

In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques. 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.