Born in 1970, Cecile Paris is an artist who sweeps the field of our common spaces, and through her films, photographs, collages and drawings, delivers a thousand possible interpretations, most often giving birth to a hypnotic strangeness where melancholy mixed with gentle rebellion hovers.
Founder of the label “Code de nuit”, a community project, she often works in collaboration with musicians, dancers, or choreographers. Notably, her videos are included in the collections of the Mac/Val (Museum of contemporary art Val-de-Marne) in Vitry-sur-Seine, and the Musée d’art moderne (Museum of Modern Art) in the city of Paris.
Bianca
2002, 3’20’’, music: Ornella Vanoni, casa bianca
Black Beauty
2010, 2’10’’, cast: Pierre Giquel, music: Renaud Rudloft
Etanche
2003, 3’’44,music: Charles Frandon, voix Cécile Paris
Le mal du pays
2006, 3’43’, cast: Sebastien Sanz de Santamaria,music: Cole Porter,
interpretation: Pete Fontain (1966), I love Paris
Le sens de la nuit
2008, 4’28’’, cast: Adrienne Alcover, Laurie Etourneau, Elodie Fradet, Berthine Gerbet, Pauline Jacquelin, Jeanne Moynot, Renaud Rudloft,music: Renaud Rudloft
Double V, train
4’28’’, 2015, cast: Guillaume Magre-Guilberto, Hugo Walsdorff, music: Renaud Rudloft
Après Mustafa
2014, 4’47’’, cast: Ahmed Aaras, music: Renaud Rudloft
To tell you
2008, 5’10’’, cast: Adrienne Alcover, music: Renaud Rudloft
Vision Vesoul
2013, 6’ , cast: Pierre Giquel, Françoise Rognerud, Florian Sicard, music: Renaud Rudloft
Double V, voiture
4’ 28’’, 2015, cast: Florian Sicard,music: Renaud Rudloft
The artist will be present at the March 21 screening.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.
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