Born in 1970, Cecile Paris is an artist who sweeps the field of our common spaces, and through her films, photographs, collages and drawings, delivers a thousand possible interpretations, most often giving birth to a hypnotic strangeness where melancholy mixed with gentle rebellion hovers.
Founder of the label “Code de nuit”, a community project, she often works in collaboration with musicians, dancers, or choreographers. Notably, her videos are included in the collections of the Mac/Val (Museum of contemporary art Val-de-Marne) in Vitry-sur-Seine, and the Musée d’art moderne (Museum of Modern Art) in the city of Paris.
2002, 3’20’’, music: Ornella Vanoni, casa bianca
2010, 2’10’’, cast: Pierre Giquel, music: Renaud Rudloft
2003, 3’’44,music: Charles Frandon, voix Cécile Paris
Le mal du pays
2006, 3’43’, cast: Sebastien Sanz de Santamaria,music: Cole Porter,
interpretation: Pete Fontain (1966), I love Paris
Le sens de la nuit
2008, 4’28’’, cast: Adrienne Alcover, Laurie Etourneau, Elodie Fradet, Berthine Gerbet, Pauline Jacquelin, Jeanne Moynot, Renaud Rudloft,music: Renaud Rudloft
Double V, train
4’28’’, 2015, cast: Guillaume Magre-Guilberto, Hugo Walsdorff, music: Renaud Rudloft
2014, 4’47’’, cast: Ahmed Aaras, music: Renaud Rudloft
To tell you
2008, 5’10’’, cast: Adrienne Alcover, music: Renaud Rudloft
2013, 6’ , cast: Pierre Giquel, Françoise Rognerud, Florian Sicard, music: Renaud Rudloft
Double V, voiture
4’ 28’’, 2015, cast: Florian Sicard,music: Renaud Rudloft
The artist will be present at the March 21 screening.
Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.
Tuesday - Saturday 10.00 - 19.00
Sunday 12.00 - 18.00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
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