Director: Gaspar Scheuer
Cast: Norma Aleandro, Alejandro Awada, Agustina Muñoz
Argentina; 94’, 2012, color
Spanish with Turkish subtitles
Argentina, 19th century. Takeo, a young japanese immigrant, decides to go alone in the mountains, searching for the mythical samurai Saigo Takamori, exiled in Argentina and who would be, according to Takeo's grand father, rebuilding a new army to go back to Japan and defeat the emperor. On its way, Takeo meets Sin Brazos, a veteran from the argentine army, who claims to know where Takamori is hidden. The two men ride together for new adventures.
Trailer
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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