Pera Film continues its Latin American journey with selected recent films from Argentina. Presented in collaboration with the Consulate General of Argentina in İstanbul, the selected four films produced from the last few years exemplify the ingrained rich film culture.
The cinema of Argentina, one of the most captivating and established cinemas of Latin America, boasts a long and productive history, a socially conscious, politically minded, engaging character and a constantly evolving nature. More recently, the recession at the beginning of the 21st century gave birth to novel and significant cinematic motivation, which in fact continued in the footsteps of the art-house wave that began in the 1990s with directors such as Lisandro Alonso, Lucrecia Martel, Martin Rejtman, and Pablo Trapero. Today, more than a decade later, the newest generation of Argentine filmmakers emerges.
In collaboration
December 18
19:00 The Water at the End of the World
December 21
14:00 Las acacias
16:00 The Last Elvis
December 22
14:00 Samurai
December 25
19:00 Las acacias
December 27
19:00 The Last Elvis
December 28
14:00 The Water at the End of the World
16:00 Samurai
December 18
19:00 The Water at the End of the World
December 21
14:00 Las acacias
16:00 The Last Elvis
December 22
14:00 Samurai
December 25
19:00 Las acacias
December 27
19:00 The Last Elvis
December 28
14:00 The Water at the End of the World
16:00 Samurai
Program Trailer
Pera Film continues its Latin American journey with selected recent films from Argentina. Presented in collaboration with the Consulate General of Argentina in İstanbul, the selected four films produced from the last few years exemplify the ingrained rich film culture.
I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
