Pera Film continues its Latin American journey with selected recent films from Argentina. Presented in collaboration with the Consulate General of Argentina in İstanbul, the selected four films produced from the last few years exemplify the ingrained rich film culture.
The cinema of Argentina, one of the most captivating and established cinemas of Latin America, boasts a long and productive history, a socially conscious, politically minded, engaging character and a constantly evolving nature. More recently, the recession at the beginning of the 21st century gave birth to novel and significant cinematic motivation, which in fact continued in the footsteps of the art-house wave that began in the 1990s with directors such as Lisandro Alonso, Lucrecia Martel, Martin Rejtman, and Pablo Trapero. Today, more than a decade later, the newest generation of Argentine filmmakers emerges.
In collaboration
December 18
07:00 The Water at the End of the World
December 21
02:00 Las acacias
04:00 The Last Elvis
December 22
02:00 Samurai
December 25
19:00 Las acacias
December 27
07:00 The Last Elvis
December 28
14:00 The Water at the End of the World
16:00 Samurai
December 18
19:00 The Water at the End of the World
December 21
14:00 Las acacias
16:00 The Last Elvis
December 22
14:00 Samurai
December 25
19:00 Las acacias
December 27
19:00 The Last Elvis
December 28
14:00 The Water at the End of the World
16:00 Samurai
Program Trailer
Pera Film continues its Latin American journey with selected recent films from Argentina. Presented in collaboration with the Consulate General of Argentina in İstanbul, the selected four films produced from the last few years exemplify the ingrained rich film culture.
Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.
Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism.
It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography.
Tuesday - Saturday 10.00 - 19.00
Sunday 12.00 - 18.00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
