Pera Film continues its Latin American journey with selected recent films from Argentina. Presented in collaboration with the Consulate General of Argentina in İstanbul, the selected four films produced from the last few years exemplify the ingrained rich film culture.
The cinema of Argentina, one of the most captivating and established cinemas of Latin America, boasts a long and productive history, a socially conscious, politically minded, engaging character and a constantly evolving nature. More recently, the recession at the beginning of the 21st century gave birth to novel and significant cinematic motivation, which in fact continued in the footsteps of the art-house wave that began in the 1990s with directors such as Lisandro Alonso, Lucrecia Martel, Martin Rejtman, and Pablo Trapero. Today, more than a decade later, the newest generation of Argentine filmmakers emerges.
In collaboration
December 18
19:00 The Water at the End of the World
December 21
14:00 Las acacias
16:00 The Last Elvis
December 22
14:00 Samurai
December 25
19:00 Las acacias
December 27
The Last Elvis
December 28
14:00 The Water at the End of the World
16:00 Samurai
December 18
19:00 The Water at the End of the World
December 21
14:00 Las acacias
16:00 The Last Elvis
December 22
14:00 Samurai
December 25
19:00 Las acacias
December 27
19:00 The Last Elvis
December 28
14:00 The Water at the End of the World
16:00 Samurai
Program Trailer
Pera Film continues its Latin American journey with selected recent films from Argentina. Presented in collaboration with the Consulate General of Argentina in İstanbul, the selected four films produced from the last few years exemplify the ingrained rich film culture.
Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.
Félix Ziem is accepted as one of the well-known artists of the romantic landscape painting, and has been followed closely by art lovers and collectors of all periods since. He had a profound influence on generations of artists after him, and was the first artist whose works were acquired by the Louvre while he was still alive.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 80 TL
Discounted: 40 TL
Groups: 60 TL (minimum 10 people)
