Las acacias

  • December 21, 2013 / 14:00
  • December 25, 2013 / 19:00

Director: Pablo Giorgelli
Cast: Germán de Silva, Hebe Duarte, Nayra Calle Mamani
Argentina, Spain; 82’, 2011, color
Spanish with Turkish subtitles

Rubén is a lonely truck driver who has been covering for years the motorway from Asunción del Paraguay to Buenos Aires. However, today's journey will be different. In a motorway stop near Asunción, Jacinta shows up an hour later to begin a journey by track which is going to take her to Buenos Aires. Rubén finds out at that very moment that little Anahí, who's 8 months old, will travel with them. Winner of the Caméra d’Or (Golden Camera) for best debuting director at Cannes Film Festival.

The Last Elvis

The Last Elvis

The Water at the End of the World

The Water at the End of the World

Las acacias

Las acacias

Samurai

Samurai

Trailer

Las acacias

Journey to the East

Journey to the East

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. This week we are sharing Ziem’s work inspired by Istanbul and “the East”! 

Midnight Horror Stories: Pollens, Photosynthesis & Rock ‘N’ Roll

Midnight Horror Stories: Pollens, Photosynthesis & Rock ‘N’ Roll

Pera Museum Blog is launching a new series of creepy stories in collaboration with Turkey’s Fantasy and Science Fiction Arts Association (FABISAD). The Association’s member writers are presenting newly commissioned short horror stories inspired by the artworks of Mario Prassinos as part of the Museum’s In Pursuit of an Artist: Istanbul-Paris-Istanbul exhibition. The third story is by Murat Başekim! The stories will be published online throughout the exhibition. Stay tuned!

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.