The Last Elvis

  • December 21, 2013 / 16:00
  • December 27, 2013 / 19:00

Director: Armando Bo
Cast: John McInerny, Griselda Siciliani, Margarita Lopez
Argentina; 91’, 2012, color
Spanish with Turkish subtitles

Life is generally crummy for Buenos Aires Elvis impersonator Carlos Gutierrez (first-time actor John McInerny). His family life is a shambles, his factory job sucks – about the only good times are when, proud in a rhinestone jumpsuit, he’s onstage channeling E - belting out “An American Trilogy,” “Suspicious Minds,” or “You Were Always on My Mind.” When an accident forces him to take responsibility for his daughter Lisa Marie (sic), the story moves into father and daughter bonding territory, but it reaches deeper and becomes a character study of a man who devotes his life to reaching his dream. First time director Armando Bo (screenplay for Biutiful) has created a bluesy, heartbreaking, focused film featuring McInerny’s immensely strong central performance.

The Last Elvis

The Last Elvis

The Water at the End of the World

The Water at the End of the World

Las acacias

Las acacias

Samurai

Samurai

Trailer

The Last Elvis

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

From the Age of Reason to the “Tortoise Trainer”

From the Age of Reason to the “Tortoise Trainer”

A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”. 

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.