Mirror

  • November 21, 2020 / 16:15

Director: Pierre Reynard
France, 2020, 25', HDD, color
French with Turkish, English subtitles

"At the end of every street, there’s a mountain" the Stendhal’s phrase is well known and every resident of the large region of Grenoble experiences it on a daily basis... City, mountain - this relationship shapes the region far beyond its landscape. Through scientific observation, tourism and sporting activities, through the very living conditions of these spaces, we question the primordial role of a social imaginary, witness of our relationship to the world. The observation of this territory not only then takes on a universal dimension but it also allows each person to look into a Mirror, revealing the reflection of our society.

How We Grow

How We Grow

Food for Change

Food for Change

Shade Grown Coffee

Shade Grown Coffee

Climate Limbo

Climate Limbo

Jozi Gold

Jozi Gold

Seeds of Profit

Seeds of Profit

Mega Fires

Mega Fires

Hacking for the Commons

Hacking for the Commons

Lords of Water

Lords of Water

Rewilding

Rewilding

The New Breed: The Rise of the Social Entrepreneur

The New Breed: The Rise of the Social Entrepreneur

Mirror

Mirror

A Fistful of Rubbish

A Fistful of Rubbish

Biomimicry

Biomimicry

The Promise of Biomimicry

The Promise of Biomimicry

Stolen Fish

Stolen Fish

Nations United: Urgent Solutions for Urgent Times

Nations United: Urgent Solutions for Urgent Times

A Regenerative Secret

A Regenerative Secret

From Weedy Forests to Grassy Woodlands

From Weedy Forests to Grassy Woodlands

The Compost Story

The Compost Story

How We Live: A Journey Towards a Just Transition

How We Live: A Journey Towards a Just Transition

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End).