Biomimicry

  • November 20, 2020 / 14:30

Director: Leila Conners
USA, 2015, 22', HDD, color
English with Turkish subtitles

Biomimicry, the practice of looking deeply into nature for solutions to engineering, design and other challenges, has inspired a film about it's ground-breaking vision for creating a long-term, sustainable world. This film covers how mimicking nature solves some of our most pressing problems, from reducing carbon emissions to saving water; and gives Janine Benyus the space to explain these subtle yet powerful solutions.

How We Grow

How We Grow

Food for Change

Food for Change

Shade Grown Coffee

Shade Grown Coffee

Climate Limbo

Climate Limbo

Jozi Gold

Jozi Gold

Seeds of Profit

Seeds of Profit

Mega Fires

Mega Fires

Hacking for the Commons

Hacking for the Commons

Lords of Water

Lords of Water

Rewilding

Rewilding

The New Breed: The Rise of the Social Entrepreneur

The New Breed: The Rise of the Social Entrepreneur

Mirror

Mirror

A Fistful of Rubbish

A Fistful of Rubbish

Biomimicry

Biomimicry

The Promise of Biomimicry

The Promise of Biomimicry

Stolen Fish

Stolen Fish

Nations United: Urgent Solutions for Urgent Times

Nations United: Urgent Solutions for Urgent Times

A Regenerative Secret

A Regenerative Secret

From Weedy Forests to Grassy Woodlands

From Weedy Forests to Grassy Woodlands

The Compost Story

The Compost Story

How We Live: A Journey Towards a Just Transition

How We Live: A Journey Towards a Just Transition

Midnight Horror Stories: <br> Witches’ Sun <br> Mehmet Berk Yaltırık

Midnight Horror Stories:
Witches’ Sun
Mehmet Berk Yaltırık

I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.