Jozi Gold

  • November 20, 2020 / 16:30

Directors: Sylvia Vollenhoven, Fredrik Gertten
Sweden, 2019, 74', HDD, color
English with Turkish subtitles

Grandmother and environmental activist Mariette Liefferink is up against the richest mining corporations in South Africa. The golden era of mining has left behind 600 kilotons of waste uranium which is not only polluting one of Africa’s biggest aquifers, but raining over the city as fine dust. With 1,6 million people living on radioactive grounds, she is on a mission to force the gold industry to clean up the remains of over a century of gold mining.

How We Grow

How We Grow

Food for Change

Food for Change

Shade Grown Coffee

Shade Grown Coffee

Climate Limbo

Climate Limbo

Jozi Gold

Jozi Gold

Seeds of Profit

Seeds of Profit

Mega Fires

Mega Fires

Hacking for the Commons

Hacking for the Commons

Lords of Water

Lords of Water

Rewilding

Rewilding

The New Breed: The Rise of the Social Entrepreneur

The New Breed: The Rise of the Social Entrepreneur

Mirror

Mirror

A Fistful of Rubbish

A Fistful of Rubbish

Biomimicry

Biomimicry

The Promise of Biomimicry

The Promise of Biomimicry

Stolen Fish

Stolen Fish

Nations United: Urgent Solutions for Urgent Times

Nations United: Urgent Solutions for Urgent Times

A Regenerative Secret

A Regenerative Secret

From Weedy Forests to Grassy Woodlands

From Weedy Forests to Grassy Woodlands

The Compost Story

The Compost Story

How We Live: A Journey Towards a Just Transition

How We Live: A Journey Towards a Just Transition

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet.