Jozi Gold

  • November 20, 2020 / 16:30

Directors: Sylvia Vollenhoven, Fredrik Gertten
Sweden, 2019, 74', HDD, color
English with Turkish subtitles

Grandmother and environmental activist Mariette Liefferink is up against the richest mining corporations in South Africa. The golden era of mining has left behind 600 kilotons of waste uranium which is not only polluting one of Africa’s biggest aquifers, but raining over the city as fine dust. With 1,6 million people living on radioactive grounds, she is on a mission to force the gold industry to clean up the remains of over a century of gold mining.

How We Grow

How We Grow

Food for Change

Food for Change

Shade Grown Coffee

Shade Grown Coffee

Climate Limbo

Climate Limbo

Jozi Gold

Jozi Gold

Seeds of Profit

Seeds of Profit

Mega Fires

Mega Fires

Hacking for the Commons

Hacking for the Commons

Lords of Water

Lords of Water

Rewilding

Rewilding

The New Breed: The Rise of the Social Entrepreneur

The New Breed: The Rise of the Social Entrepreneur

Mirror

Mirror

A Fistful of Rubbish

A Fistful of Rubbish

Biomimicry

Biomimicry

The Promise of Biomimicry

The Promise of Biomimicry

Stolen Fish

Stolen Fish

Nations United: Urgent Solutions for Urgent Times

Nations United: Urgent Solutions for Urgent Times

A Regenerative Secret

A Regenerative Secret

From Weedy Forests to Grassy Woodlands

From Weedy Forests to Grassy Woodlands

The Compost Story

The Compost Story

How We Live: A Journey Towards a Just Transition

How We Live: A Journey Towards a Just Transition

Frida Kahlo

Frida Kahlo

Frida Kahlo was born on July 6, 1907 in Coyoacán, Mexico. Exactly 47 years from now, before she died in the same city and her beloved Mexico, many things would happen; she’d meet Diego Rivera, become a world-renowned artist, and allow many of her fans to dress like her on Halloween. 

Between Impressionism and Orientalism

Between Impressionism and Orientalism

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined. Through the exhibition, we will be sharing detailed information about the artist and the artworks. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.