Directors: Antoinette Wilson, Jordan Osmond
New Zealand, 2020, 12', HDD, color
English with Turkish subtitles
From Weedy Forests to Grassy Woodlands tells the story of a community-led initiative to mitigate forest fire risk using goats and hand tools rather than herbicides, heavy machinery, and burn-offs. On a land in Australia, prone to massive bush fires, a small group of community-minded folk have pulled together to work towards restoring the ecology of their commons forest – in order to stop the future need for controlled burn-offs by the local fire authority. Burn-offs keep the township safe from out-of-control fires, but they hinder the forest’s ability to regenerate, and thus cannot provide the environment necessary for the diversity of insects, birds and animals that are necessary in a healthy forest on a healthy planet. This work being done is not only showing stunning results on the forest floor, it’s having much broader effects: the forest’s wildlife is thriving, the goats are healthy and happy, but in addition neighbours previously dubious about the project have come on board, so that new and strong community connections are being made.
Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
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