Krisha

  • May 8, 2019 / 19:00
  • May 21, 2019 / 19:00

Director: Trey Edward Shults
Cast: Krisha Fairchild, Robyn Fairchild, Bill Wise, Chris Doubek, Trey Edward Shults
USA, 2015, 83', color
English with Turkish subtitles

When Krisha walks in to the family house for a Thanksgiving dinner, the atmosphere is tense despite the warm greetings. Krisha is also anxious, almost frightened. She has obviously been absent from family gatherings for a while, but upon revealing her sobriety, has been given a second chance. In Krisha, Trey Edward Shults brings together his immediate family and treats addiction –always an elephant in the room, he says– with audacity and heartbreaking humor. With inspired camerawork, sound design, editing, and natural acting, Krisha introduces us to a family of no nonsense storytellers, telling a very intimate story close to home.

In the Mirror of Maya Deren

In the Mirror of Maya Deren

Reconstruction

Reconstruction

Dancing Alone

Dancing Alone

Krisha

Krisha

Matangi / Maya / M.I.A.

Matangi / Maya / M.I.A.

Belonging and Companionship

Belonging and Companionship

Trailer

Krisha

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.