Reconstruction

  • April 25, 2019 / 20:00
  • May 17, 2019 / 21:00

Director: Christoffer Boe
Cast: Nikolaj Lie Kaas, Maria Bonnevie, Klaus Mulbjerg, Krister Henriksson, Nicolas Bro
Denmark, 2003, 92', color
Danish with Turkish subtitles

The whole thing is a film, the whole thing is unreal, but it still hurts. These are the opening lines of the story of young Alex, whose life is changed by a chance encounter with Aimee. Suddenly, nothing is the way it used to be. He comes home and everything starts to change, both on the outside and on the inside. His apartment disappears, his friends don’t recognize him – he is becoming a man without a past. To get his future back, he must bet everything on love. Reconstruction is a magical love story that captivates the audience with constantly changing narrative forms and shapes throughout the movie.

 

This film’s screening announced to be made at 19.00, Thursday, 25 April, will start at 20.00 due to technical reasons.

In the Mirror of Maya Deren

In the Mirror of Maya Deren

Reconstruction

Reconstruction

Dancing Alone

Dancing Alone

Krisha

Krisha

Matangi / Maya / M.I.A.

Matangi / Maya / M.I.A.

Belonging and Companionship

Belonging and Companionship

Trailer

Reconstruction

Soothsayer Serenades I Beautiful People by Sarp Dakni

Soothsayer Serenades I Beautiful People by Sarp Dakni

Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. 

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.