Reconstruction

  • April 25, 2019 / 20:00
  • May 17, 2019 / 21:00

Director: Christoffer Boe
Cast: Nikolaj Lie Kaas, Maria Bonnevie, Klaus Mulbjerg, Krister Henriksson, Nicolas Bro
Denmark, 2003, 92', color
Danish with Turkish subtitles

The whole thing is a film, the whole thing is unreal, but it still hurts. These are the opening lines of the story of young Alex, whose life is changed by a chance encounter with Aimee. Suddenly, nothing is the way it used to be. He comes home and everything starts to change, both on the outside and on the inside. His apartment disappears, his friends don’t recognize him – he is becoming a man without a past. To get his future back, he must bet everything on love. Reconstruction is a magical love story that captivates the audience with constantly changing narrative forms and shapes throughout the movie.

 

This film’s screening announced to be made at 19.00, Thursday, 25 April, will start at 20.00 due to technical reasons.

In the Mirror of Maya Deren

In the Mirror of Maya Deren

Reconstruction

Reconstruction

Dancing Alone

Dancing Alone

Krisha

Krisha

Matangi / Maya / M.I.A.

Matangi / Maya / M.I.A.

Belonging and Companionship

Belonging and Companionship

Trailer

Reconstruction

Ideology

Ideology

Pera Museum’s  Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia. 

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.