In the Mirror of Maya Deren

  • April 27, 2019 / 16:00
  • May 4, 2019 / 14:00

Director: Martina Kudláček
Austria, Switzerland, Germany, 2001, 103', color, b&w
English with Turkish subtitles

With In the Mirror of Maya Deren, documentary filmmaker Martina Kudlacek has fashioned not only fascinating portrait of a groundbreaking and influential artist, but a pitch-perfect introduction to her strikingly beautiful and poetic body of work. Starting with excerpts from the films, In the Mirror of Maya Deren seamlessly and effectively interweaves archival footage with observances from acolytes and contemporaries such as filmmakers Stan Brakhage and Jonas Mekas, dance pioneer Katherine Dunham, and Living Theater founder Judith Malina. With an original score by experimental composer John Zorn.

In the Mirror of Maya Deren

In the Mirror of Maya Deren

Reconstruction

Reconstruction

Dancing Alone

Dancing Alone

Krisha

Krisha

Matangi / Maya / M.I.A.

Matangi / Maya / M.I.A.

Belonging and Companionship

Belonging and Companionship

Trailer

In the Mirror of Maya Deren

The adventure of the Big ‘K’

The adventure of the Big ‘K’

In a bid to review the International System of Units (SI), the International Bureau of Weights and Measures gathered at the 26th General Conference on Weights and Measures on November 16, 2018. Sixty member states have voted for changing four out of seven basic units of measurement. The kilogram is among the modified. Before describing the key points, let us have a closer look into the kilogram and its history.

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.