Director: Vincent Dieutre
Cast: Eva Truffaut, Vincent Dieutre
France, 2012, 83’, color
French with English and Turkish subtitles
“She came to see. I have no photo of Simon to show her, no trace except for these stolen shots, taken from the windows of his home overlooking the Jaurès metro station: the canal, cars, neighbourhood life, and this handful of Afghan refugees beneath the Lafayette arch... She watches with me, She questions me, we watch the seasons of this last year of my life with Simon pass, the final months of the refugees’ wearying battle to find a place here in Paris... Jaurès is a non- premeditated film. I shot these scenes on digital video almost instinctively, as if to keep a trace of my love story with Simon.”
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life.
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