Bologna Centrale

  • April 12, 2017 / 13:30
  • April 14, 2017 / 11:00

Director: Vincent Dieutre
Cast: Eva Truffaut, Vincent Dieutre
France, 2003, 59’, color
French with Turkish subtitles

“March 1977, I landed in Bologna, in an unknown city on the brink of civil war. Arranged, decisive stay with bits of memories, snippets, first names, fragments of effervescence: that of my awakening to World, to desire and that of a general rebellion that shook Bologna like a spasm.” Bologna Centrale began as a radio piece for France Culture, broadcast in March 2003, and is a kind of film diary, a retrospective autobiography, a sort of sentimental documentary about the late 1970s in Bologna where Dieutre lived for three years and returned 20 years later. The film also explores the Italy’s political history during the period when it was stricken by terrorism.

Trilogy of Our Lives Undone

Trilogy of Our Lives Undone

Journey Into Post-History

Journey Into Post-History

Roland Wounded

Roland Wounded

Jaurès

Jaurès

Bologna Centrale

Bologna Centrale

My Winter Journey

My Winter Journey

Bonne Nouvelle

Bonne Nouvelle

Tenebrae Lessons

Tenebrae Lessons

Desolate Rome

Desolate Rome

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.