Tenebrae Lessons

  • April 11, 2017 / 19:00
  • April 14, 2017 / 16:00

Director: Vincent Dieutre
Cast: Andrzej Burzynski, Hubert Geiger, Vincent Dieutre, Leo Bersani, Antonino Iuorio
France, 2000, 77’, color
French with English and Turkish subtitles

“The 90s had a pretty bad start”, this is how Vincent Dieutre introduces us to the shadows of his personal universe in those years. Utrecht, Naples, Rome... Three cities and two love stories guide us through the nocturnal itinerary of a man searching for beauties past in the 90s. The first part of the “Films of Europe” cycle constitutes a geographical and sentimental trip through the shadowy art and Caravaggio. An essay, a travelogue, a documentary, a fiction film, this memoir reconstitutes by fragments a fatal journey.

Trilogy of Our Lives Undone

Trilogy of Our Lives Undone

Journey Into Post-History

Journey Into Post-History

Roland Wounded

Roland Wounded

Jaurès

Jaurès

Bologna Centrale

Bologna Centrale

My Winter Journey

My Winter Journey

Bonne Nouvelle

Bonne Nouvelle

Tenebrae Lessons

Tenebrae Lessons

Desolate Rome

Desolate Rome

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.

Museum of Shedding <br> Dayanita Singh

Museum of Shedding
Dayanita Singh

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

 

Jean-Michel Basquiat Look At Me!

Jean-Michel Basquiat Look At Me!

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.