Director: Vincent Dieutre
Cast: Simon Versnel, Vincent Dieutre, Emmanuel Pierrat
France, 2015, 80’, color
French with English and Turkish subtitles
Haunted by Roberto Rossellini’s Voyage to Italy since boyhood, a filmmaker heads to Naples. Far from a remake and a step beyond cinephilia, another film gradually emerges, penetrated by the flow of hybrid images from the net, punctuated by artistic doubts, stray memories, songs, and ghosts. Dieutre’s film brings the couple from Voyage to Italy into an entirely different Italy, that of After- History. It remains to be seen what survives–of the couple, of Naples, of tourism and social relations–once everything has been recycled, remixed, sampled, and swept away by the wind.
The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.
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