Free Fall

  • December 10, 2017 / 17:00
  • December 16, 2017 / 12:00

Director: György Pálfi
Cast: Piroska Molnár, Miklós Benedek, Attila Menszátor-Héresz, Tamás Jordán
Hungary, South Korea, France, 2014, 80', color
Hungarian with Turkish subtitles
 
"What tea do you want? We’ve got some mint tea,” an old woman mutters to her apathetic husband, with whom she shares her cluttered home. She then goes up to the roof of her apartment block, from where she surveys the evening skyline over smog-veiled Budapest. And she jumps. We catch a fleeting glimpse of the other flats as the woman plunges past their windows – but we’ll be seeing them again, one after the other, long enough to put a name to the "diagnosis” which shapes their inhabitants, all of whom are – regrettably, it has to be said – typical models of modern society. While given clear distinctions, the stories present numerous parallels. Seen in grotesque hyperbole, we are presented with a mockery of idle messianism and indifference – a spit in the face of hypocrisy. This highly imaginative, fine-tuned and, at the same time, unassuming film comes up with provocative ideas, while nothing about it would superficially cause the least offence.

Daisies

Daisies

Escape from the ‘Liberty’ Cinema

Escape from the ‘Liberty’ Cinema

The Garden

The Garden

Conspirators of Pleasure

Conspirators of Pleasure

Afterlife

Afterlife

Free Fall

Free Fall

Goat

Goat

Five October

Five October

I, Olga

I, Olga

Communion

Communion

Little Harbour

Little Harbour

On Body and Soul

On Body and Soul

Photon

Photon

Trailer

Free Fall

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.