The protagonist of this quiet picture is the director’s 52-year-old brother Ján Kollár, who learns that he needs to undergo a hazardous procedure with only a 50-50 chance of surviving. Ján takes his bike and a minimum of equipment and sets out on perhaps the last journey he’ll ever take when he can essentially do everything exactly the way he wants. The only limitation is the day set for his operation – October 5th. With its refined imaging, the visually precise movie bears witness to the physical and spiritual wanderings of a man in a crucial life situation. Employing sensitivity without pathos, the director records Ján’s struggle against fear and his sincere effort to stand face-to-face with his circumstances and find reconciliation. Ján commits his thoughts and feelings to a journal, excerpts of which serve as a formal element in this contemplative, powerful film.
Trailer
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!
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