Daisies

  • December 9, 2017 / 13:00
  • December 14, 2017 / 19:00

Director: Věra Chytilová
Cast: Ivana Karbanová, Jitka Cerhová, Marie Cesková, Jirina Myskova
Czechia, 1966, 74', b&w, color
Czech with Turkish subtitles
 

One of the most celebrated films of the 1960s Czechoslovak New Wave, Daisies is director Věra Chytilová’s second feature film. Made when Chytilová was 37-years-old, this timeless, vibrant classic continues to inspire new generations of viewers. A provocative film, it tells the story of two young women who decide to mirror the decadent, hedonistic world in which they live. Removed from the political reality of the time in which it was made, Daisies is nonetheless a quintessential representation of the mid-sixties aesthetic.

Two young girls - Marie I and Marie II - are convinced that "everything in this world is spoilt for them" and so they decide that as well will be depraved. They adopt the principle that "nothing matters, just so long as it's a joke". They look for jokes at home, in a swimming-pool and in night-clubs.

Daisies

Daisies

Escape from the ‘Liberty’ Cinema

Escape from the ‘Liberty’ Cinema

The Garden

The Garden

Conspirators of Pleasure

Conspirators of Pleasure

Afterlife

Afterlife

Free Fall

Free Fall

Goat

Goat

Five October

Five October

I, Olga

I, Olga

Communion

Communion

Little Harbour

Little Harbour

On Body and Soul

On Body and Soul

Photon

Photon

Trailer

Daisies

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.