Coffee and Cigarettes

  • January 17, 2015 / 18:00
  • February 1, 2015 / 17:00

Director: Jim Jarmusch
Cast: Roberto Benigni, Steve Buscemi, Iggy Pop, Tom Waits, Cate Blanchett, Bill Murray
USA, Japan, Italy; 95’, 2003, black and white
English and French with Turkish subtitles

Celebrated writer-director Jim Jarmusch serves up this witty and intoxicating brew that's "as addictive as caffeine" (Richard Roeper, "Ebert & Roeper and the Movies") and "as buzzy and ephemeral as, well, coffee and cigarettes" (LA Weekly)! "Sneakily delirious [and] way cool" (Time), this "funny cluster of eleven stories" (Rolling Stone) delivers "inspired eccentric match-ups" (The Hollywood Reporter) from an incredible all-star cast, making Coffee and Cigarettes an absolute must for fans of film, fun and fantastic wit!

 

Coffee and Cigarettes

Coffee and Cigarettes

A Film About Coffee

A Film About Coffee

Coffee: Between Reality and Imagination

Coffee: Between Reality and Imagination

Hot Coffee

Hot Coffee

Straight to Hell

Straight to Hell

Smoke

Smoke

Blue in the Face

Blue in the Face

Inside Llewyn Davis

Inside Llewyn Davis

Coffee Futures

Coffee Futures

A Cup of Turkish Coffee

A Cup of Turkish Coffee

Trailer

Coffee and Cigarettes

An Organized Chaos: At Marcel Dzama’s Studio

An Organized Chaos: At Marcel Dzama’s Studio

We meet at Marcel Dzama’s studio in Brooklyn on the occasion of his solo exhibition Dancing with the Moon at Pera Museum. On this freezing day in January, he welcomes us with a warm smile, and for a few hours, we step into his world filled with surreal characters, music, dance, politics, and play.

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.