Directors: Nazlı Eda Noyan & Dağhan Celayir
France, Turkey; 8’, 2013, color
Turkish with English subtitles
An old woman and her granddaughter sit around a table and go through old family photographs. Although this old woman, at first, tries to resist looking at these pictures, she cannot resist what the past evokes. During the time it takes to drink one cup of Turkish coffee we witness the story of a little girl who hung on to life and captured happiness, although she was forced to get married at a young age. These old family photographs are transformed by the old woman's feelings of the past while her granddaughter and a cup of Turkish coffee tie her to the present.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant
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