Smoke

  • January 16, 2015 / 20:30
  • January 18, 2015 / 14:00

Directors: Wayne Wang, Paul Auster
Cast: Harvey Keitel, William Hurt, Giancarlo Esposito
Germany, USA, Japan; 112’, 1995, color
English with Turkish subtitles

A film about time, place and transience from writer Paul Auster and director Wayne Wang. Auggie Wren (Harvey Keitel) runs a tobacconist on an intersection in Brooklyn, providing a haven from the hustle and flow for his coterie of peculiar customers. Every morning he takes a photograph from the same spot outside. Every day a network of strangers grows more familiar. Every night Tom Waits reminds us, ‘You’re innocent when ya dream’. A Jarmuschian treat for fans of Auster, Waits and photography.

Coffee and Cigarettes

Coffee and Cigarettes

A Film About Coffee

A Film About Coffee

Coffee: Between Reality and Imagination

Coffee: Between Reality and Imagination

Hot Coffee

Hot Coffee

Straight to Hell

Straight to Hell

Smoke

Smoke

Blue in the Face

Blue in the Face

Inside Llewyn Davis

Inside Llewyn Davis

Coffee Futures

Coffee Futures

A Cup of Turkish Coffee

A Cup of Turkish Coffee

Trailer

Smoke

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.

Stefan Hablützel Look At Me!

Stefan Hablützel Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.

A Night at Pera Museum

A Night at Pera Museum

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.